Contemporary Folk/Singer-songwriter, mas daquele lindo.
Sim, só ouvi isto a sério após a confirmação em paredes (conhecia antes mas prontes) e pronto, apaixonei-me.Pesky comparisons to Bob Dylan have dogged Kristian Matsson throughout his short career as the Tallest Man on Earth. In 2006, his self-titled EP introduced a singer with that familiar croak, a songwriter with a folk-revival revival sensibility, and a guitar player with an impressively agile fingerpicking style. The next year, his full-length debut, Shallow Grave, expanded nicely on those ideas, buffing away some of the rougher edges but emphasizing fully realized and beautifully evocative songs. The Wild Hunt, the second Tallest Man on Earth album and first for Dead Oceans, makes a few specific nods to Dylan at his most earnest and bare-- including a reference to "boots of Spanish leather" on "King of Spain". Ultimately, though, Matsson interprets Dylan, just as Dylan himself interpreted Guthrie. More to the point, Matsson translates him into the Scandinavian countryside, where he sings about changing seasons and quiet, lonely places far from cities. His lyrics are rough and often ragged, more concerned with evoking aching emotions than with making explicit sense. But that coded aspect only makes him sound more urgent, as if he's trying to convince you of something he couldn't possibly put into words.As a singer, he has become much more confident and capable, using that wily, deceptively limited croak with greater nuance and subtlety. The hiccup hook on "Love Is All" sounds like a joyful noise despite the song's tentative tone, and the rawness of his vocals lends gravity to the accusations of "You're Going Back". On the other hand, Matsson sounds warmly generous on "Troubles Will Be Gone" when he sings, "The day is never done, still there's a light on where you sleep, so I hope someday your troubles will be gone." Matsson is both a romantic and a realist, and on The Wild Hunt, he uses the barest of pop-folk settings to give mundane moments-- another break-up, another tour, another change of season, another Dylan comparison-- a grandeur so disproportional that it's difficult not to identify and sympathize with him.
2 comentários:
WrestlingPT, nostalgia
LOL, no shit.
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